Ethereal Entertainment

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Friday, 6 January 2017

FCPX: Uploading Video to Youtube

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Posted by Unknown at 09:38

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Labels: FCPX, tech tips, upload, YouTube

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Labels

20th Century Fox age ratings assessment criteria audience audience feedback audience theory Barthes BBFC binary opposition Blogger Box Office budget Call Sheet camera angles camera work casting characters comedy conventions convergence coursework crime dafont.com Demon Baby digitisation distribution distributors drama editing evaluation exhibition FCPX film cycle final cut final rough cut Gant rule Garageband Gary Sanchez productions greenscreen trip Halloween horror idents introduction Lair Scene Le Donk & Scor-zay-zee Levi-Strauss link list location Logic Pro low budget male gaze theory media language microdrama miramax mise-en-scene MPAA Mulvey narrative enigma narrative theories NBCUniversal normative Oblivion On The Day productions ownership Paramount pitch podcast post apocolyptic Pre-Production preliminary exercise production production budget Propp Pulp Fiction Rape Chase Scene representations research Rough Cut 1 Rough Cut 2 Rough Cut 4 Rough Cut 5 Rough Cut 6 rough shots sample scene sample shoot Sci-Fi Scream self-distribution setting shot types slasher Sony Pictures Soundcloud stereotypes Stuart Hall Subsidiary target audience TBC tech tips The 3 B's the Big Six Conglomerates the Big Six Conglosmerates The Boss the brief The Gant Rule The Hundred-Foot Journey This Is England titles Todorov Tyrannasaur Swede Universal Studios upload Uses & Gratifications theory vodcast Walt Disney Studios Warner Bros Warp Working Title YouTube

Podcasts

Podcast 1: Introductory Post 1
Podcast 2: Production Schedule Update 1
Podcast 3: Production Schedule Update 2
Podcast 4: Self-Distribution
Podcast 5: Different Types of Distribution
Podcast 6: Introductory Post 2

My Film Idents

My Film Ident 1
My Film Ident 2
My Film Ident 3

Evaluation Questions

EVALUATION Q1a: Conventions
EVALUATION Q1b: Representations
EVALUATION Q2a: Audience
EVALUATION Q2b: Distribution
EVALUATION Q3: Development of Production Skills
EVALUATION Q4: Technologies

Audience Feedback

Audience Feedback 1: From Rough Cut 6
Audience Feedback 2: From Rough Cut 6
Audience Feedback 3: From Rough Cut 6

Cuts

Rough Cut 1
Rough Cut 2
Rough Cut 4
Rough Cut 5
Rough Cut 6
Final Rough Cut
Final Cut

Post Production

Lessons I've Learned From Filming
Greenscreen Trip
Production Schedule Update 1
Production Schedule Update 2
Production Schedule Update 3
Production Schedule Update 3: Sound
Production Schedule Update 5
Sample Scene 1: Lair
Sample Scene 2: Rape Chase
Location/Shot Testing
Evidence of Directing

Pre-Production

THE GROUP
Production Budget
Casting
Casting 2
Costume, Props, Make-up
Location Scouting
Pitch 1
Pitch 2
Pitch 3
Shot List 1: Lair
Call Sheet 1: Lair
Shot List 2: Rape Chase
Call Sheet 2: Rape Chase
Re-Shoot Call Sheet: Rape Chase
Tasks To Be Completed
Rough Shot Ideas: Rape Chase Scene
Rough Shot Ideas: Party Scene
Rough Shot Ideas: Lair Scene
My BBFC Target rating explained
My Target Audience Defined

Practice Exercises

Tyrannasaur Swede: EG and RD
Tyrannasaur Swede Evaluation
Microdrama: EG and RD
Microdrama Evaluation
Prelim Exercise: EG and RD
Prelim Evaluation

Slasher Film Opening Analyses

Film Opening 1: Friday The 13th Remake
Film Opening 2: Halloween
Film Opening 3: Scream
Film Opening 4: Jennifer's Body
General v Slasher Opening Conventions
Slasher: Audience Summarised

Working Title v Warp

Warp v Working Title
Wild Child v '71: The Media Language
Wild Child v '71: Institutional Context
Wild Child v '71: Openings Conventions

1ST 5 SHOTS OF FILMS: Warp

1ST 5 SHOTS OF FILM 1: For Those In Peril
1ST 5 SHOTS OF FILM 2: Submarine
1ST 5 SHOTS OF FILM 3: This Is England
5 SHOTS OF THIS IS ENGLAND

1ST 5 SHOTS OF FILMS: Working Title

1ST 5 SHOTS OF FILM 1: We Are Your Friends
1ST 5 SHOTS OF FILM 2: Wild Child
1ST 5 SHOTS OF FILM 3: Bridget Jones's Diary

General Film Opening Analyses

Film Opening 1: Pulp Fiction
Film Opening 2: Oblivion
Film Opening 3: The Boss
Film Opening 4: The Girl On The Train
Film Opening 5: The Girl With The Dragon Tattoo
Fave Film: The Hundred-Foot Journey

British Cinema

Types of Distribution
Self-Distribution
The Film Cycle
The Big Six

Media Language

Technical Terms
Semiotics

Media Theories

The 3 B's
Laura Mulvey's 'Male Gaze'
Stuart Hall
The Gant Rule
Propp's 7 Recurring Character Types
Todorov's 5-Part Narrative Theory
Barthes' Narrative Enigma
Levi-Strauss' Binary Opposition
Uses & Gratifications Theory

FCPX Tips

FCPX: Key Framing
FCPX: Cutting Videos
FCPX: Layering
FXPX: Greenscreen
FCPX: Uploading Video to YouTube

Tech Tips

Tagging on Blogger
Soundcloud Upload on Blogger
Adding a Link List on Blogger
Adding Annotations on YouTube

DB Blogs I've used

AS Coursework Openings
British Cinema
Media Student Blogs
Media Tech Tips

Film | The Guardian

NBC Universal | The Guardian

Films I've Analysed (all genres)

Bridget Jones' Diary (Maguire, 2001)
Submarine (Ayaode, 2010)
We Are Your Friends (Joseph, 2015)
Wild Child (Moore, 2008)
For Those In Peril (Wright, 2013)
Halloween (Carpenter, 1978)
Jennifer's Body (Kusama, 2009)
Scream (Craven, 1996)
Friday The 13th Remake (Nispel, 2009)
Pulp Fiction (Tarantino, 1994)
Oblivion (Kosinski, 2013)
The Boss (Falcone, 2016)
The Girl On The Train (Taylor, 2016)
The Girl With The Dragon Tattoo (Fincher, 2011)

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